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The themes revolve around the grandeur of true love, the power of humanity, and the infamous good versus evil with good winning at the end. It reveals itself in generations of children keenly seeking a Prince Charming or wanting to be the price charming, an unrealistic fairy tale relationships and the omnipotent, happily-ever after. Inspiring children to desire a life of grandeur, adventure, where dreams become a reality. The franchise has become a favourite of children all over the world. The pervasiveness of Disney movies has transformed the pop-culture and cultural landscape of not just the American culture but the rest of the world.

It is no news that Disney is a forerunner in the entertainment industry. However, a critical approach to these movies unveils that instead of presenting a holistic worldview on ethnic heroines, Disney promotes an essentialist approach, doing nothing more than providing unnecessary emphasis on physical beauty and glamour. Both these heroines were created during the epoch of 'Disney Renaissance', the period in which Disney claims to introduce heroines from various indigenous communities around the world. It also aims to examine the effect of such stereotypical constructions on child schema, when body is identified from the lens of the dominant western group. The aim of this paper is to identify the somatic construction of the ethnic heroines portrayed in the movies Aladdin and Mulan to explore their visualization and conception from a multicultural perspective. However, these heroines who apparently appear to be a part of an indigenous community were mere extensions of the predominant white heroines. The 'Disney princesses' brought forth by Walt Disney productions after the mid-90s introduced heroines of colour who are representatives of various ethnic communities around the world.

Call of duty black ops cold war leaked gameplay